Indie

ALBUM REVIEW: Scott Ryan – Object Permanence

Spokane-based alt-rocker Scott Ryan is back with a new EP and a new perspective.

It goes without saying that 2016 has been the year of surprises — some good, mostly bad. Scott Ryan is a good surprise. His new EP, Object Permanence, carries a shape-shifting, retro sound that covers more ground in five songs than most LPs cover in ten.

What’s fresh about Object Permanence is that “retro” doesn’t mean “vintage.” It’s not The Strokes simply recreating the tones of The Stooges or Vampire Weekend channeling the vibrancy of the Talking Heads. It’s more complex than that. Here, Ryan takes pieces of various genres from the past — psychedelic, funk, blues, pop, and indie — and in an impressive, almost encyclopedic fashion, somehow makes these into sounds his own.

The opening track, “Spent” is a bright, vibrant tune that blends pop-rock with a little funk and you can’t help but move your body. Not my favorite song on the album, but that’s because it’s not really my style. I can still respect it, however, for Ryan is a musician’s musician. Instrumentally, the music on this song and throughout the album is savvy and unapologetically technical.

“Perfectly Good Explanation” is also ambitious, both vocally and instrumentally. Clocking in at just under eight minutes, the song manages well to keep your attention (hard to accomplish in today’s culturally-busy society). As a Radiohead fan I can’t help but make comparisons to the tonal atmosphere of Hail to the Thief, as an enigmatic drum track balances a delicate falsetto with a wandering guitar lead. Simply put, “Perfectly Good Explanation” is really cool. (more…)

ALBUM REVIEW: Jimmy Eat World – Integrity Blues

“It doesn’t have to hurt anymore,” sings Jimmy Eat World on the angelic, swelling new tune, “The End is Beautiful,” and my eyes are also swelling. I’m not crying, I wouldn’t do that. Not here, anyway, in this hipster coffee shop, where tears are strictly reserved for Bon Iver’s latest whatever. Throughout Integrity Blues but especially on “The End is Beautiful,” Jim Adkins’ lyrics fit familiar, like a decade-old pair of jeans that somehow managed to grow along with us.

“You said, ‘However you go, I’ll be cheering you on.
In the end, what’s the difference how it all went wrong?’
Hey, that’s something. The truth is what you believe it is.
It doesn’t have to hurt anymore”

Here’s how I’m choosing to interpret these lyrics:

It doesn’t have to hurt anymore, because Jimmy Eat World (i.e., America’s emo dads) have returned to pluck our heart strings and tell us all it’s not our fault. (more…)

ALBUM REVIEW: Kevin Devine -Instigator

Prolific songwriters are annoying. You hear about guys like Kevin Devine and you say, “Wow! Can’t wait to get into this,” and suddenly eight years go by and you’ve missed nine albums and two side-projects (see also, Ryan Adams).

Despite some familiarity with his catalogue (mostly the Bubblegum and Bulldozer albums), I fully admit that I should be a bigger fan of Kevin Devine than I am. Here’s my reasoning: 

My name is also Kevin. [√]

I happen to look like Kevin. [√]

I’m a long-time, bitter Brand New fan. [√]

I’ve seen Kevin live three times and he’s always amazing. [√ and √]

What happens is this: I see Kevin Devine in concert, I walk away in awe, and then I listen to his records and come away disappointed. Call it the “Curse of the Great Live Band,” but I find his studio stuff often fails to capture the spirit, energy and vulnerability of what I hear on stage.

There’s also the problem that his recordings sound like crap.

But I’m getting ahead of myself. Let’s talk Instigator.  (more…)

This is a Nightmare: Being a ‘Brand New’ Fan in 2016

Rock band Brand New’s infrequent musical output has frustrated fans to no end.

It’s been seven years since Daisy. Ten since Devil and God.

(Let that sink in).

Like an overlapping harmony, longtime Brand New fans lovingly obsess and revoltingly resent the Long Island quartet. I do too. There’s the waiting for new material, there are the mixed messages via merchandise, there is the complete and utter lack of communication (except for, of course, when they have something repurposed to sell).

It’s not uncommon for bands to keep private before releasing new music. The problem is that Brand New dangles the idea of new music in front their fans, but then never delivers. Playing coy for the sake of building interest is one thing. Lying to fans is another thing altogether.

brand-new-1

Brand New is basically the deadbeat dad who missed our birthday party. Seven years in a row.

We forgive them because we love them and we can’t help it.

Nevertheless, it’s easy to forget— with our insatiable Brand New appetites — that there actually is new Brand New music out there. No full album but singles, live tracks, mastered and reworked demos have all surfaced, both officially and unofficially, over the last couple years. (more…)

Album Review: Kevin Morby – Singing Saw

You’re sitting on the coastline of a small, uninhabited island in the middle of the South Pacific. Sand burrows in the creases of your eyes and the corners of your cracked lips. The wind smells of birds. Behind you lie the remains of a small, wooden lifeboat — splintered and upside down; the oar rests upon your lap. An empty 7-UP can visits your feet, rolling up, rolling down, pushed in by the tide and retreating back with it. In the distance is a storm and you wait for its slow arrival, like a train approaching. You smile because you know there is hope in its dark clouds.

This is what it’s like listening to Kevin Morby’s powerful new record, Singing Saw. Put another, perhaps simpler way: it’s good, okay? Really, really good.

The type of good that resonates in the chest and reverberates in the blood. The type of good that sends you searching. The type of good that strands you on an island in the South Pacific.

—

Before establishing his minimalist and intimate song signature, Kevin Morby first navigated through the busy streets of Los Angeles’ indie music scene (The Babies, Woods). I’m not sure when I first heard the guy, to be honest, but the singer-songwriter’s sophomore album, Still Life, made my 2014 Best-Of List (the song “All of my Life” remains one of my favorite tunes).

Today, Morby has sharpened his sound — Millennial folk to the beat of Beck’s Sea Change and with the drawl of early Dylan. Not to say there isn’t energy lurking behind them calm waves. The first single from Singing Saw, “I Have Been to the Mountain,” punches in with bass, drums, horns, strings, a gospel choir and a guitar effect that can only be described as 1960’s sci-fi. The song is basically a Tarantino film, or say, a Bloody Mary on a sultry day. Recently, it landed on a Pitchfork summer festival mixtape (on the much-coveted leadoff spot of number one). (more…)

Micro-filming with Adobe Premiere Clip: My life in 4 short videos

About a month ago it occurred to me that I carry a super computer in my pocket. My phone, that is. It’s a smart phone that connects me to the world and offers me every little bit of information from anytime in history, much like a community garden – all knowledge ripe and for the taking. And the phone is powerful. I can pinpoint my friend’s exact real-time location, no matter how far away from me he or she lives. I can record music. I can film movies.

98% of the time I use my phone to check email.

When I want to be fancy, I post a picture to Instagram.

That’s about it.

With fresh eyes, then, (the unlimited potential of my phone revealed to me), a query clobbered my restless mind. What if the ’90s version of myself were to get ahold of an iPhone? What would I have done with it?

Certainly, I wouldn’t have wasted battery power reading stranger’s status updates.

Enter ‘Adobe Premiere Clip’

What if I were to film the most boring moments of my life and then try to make them interesting?

I’m sure there are many movie-making apps available to the mass public. iMovie, for instance, is probably the most popular (I have some familiarity with the desktop version). Adobe Premiere Clip, however, happened to get in front of my face at the right time. This powerful video-producing app allows you to record, edit, add music, adjust tone and color — all from your phone. (more…)