In the age of social media (read: barrier-less entry to digital publication), our end-of-year world is overran with a bevy of bovine best-of lists that subjectively say nothing about music or art. I have often considered forgoing the practice. But truth be told I am a man of traditions and patterns. Since 2010 I have been making such subjective lists and cannot turn back now.
But I do promise to simplify.
This year, I’m talking just music and TV. (If you find yourself curious about the books I’ve read this year, however, follow me on Goodreads (Goodreads is still a thing, right?)).
Top 5 Records
2016 was a weird year for mainstream music. Rock was fueled primarily by mega-bands from previous decades (Blink 182, Green Day, Metallica), hip-hop spent its social currency on Kanye West drama, and pop-music decided to just wait it out for a new Taylor Swift album. Beyonce, I suppose, did something interesting with pop music, but there isn’t much else to hear. Where mainstream music failed, indie-music (used here as a sweeping genre) and new independent artists (across all indie-music genres) soared.
Almost weekly, there was a new artist or band or group making waves. Car Seat Headrest, Big Thief, Julien Baker, Margaret Glaspy, Kevin Morby, Nice As Fuck, to name a few at top of mind.
With Apple Music and Spotify and Amazon Music and now Pandora Unlimited — streaming services becoming commonplace for the listener — there’s little excuse to miss out on all this great new music. But these tools don’t make keeping up any less overwhelming. In fact, having access to everything, I find, makes it worse. At the end of the day, you have to find what works for you — those albums that connect from start to finish and demand repeat listens — and fit in the other stuff when you can.
So what are my favorites from the year? There are many reasons that the following list of albums stood out to me as “favorites” (originality, longevity, boldness) but the best metric is this: I refused to delete their files from my phone. (more…)